Revival of patronage

It’s now clear to me that with our capacity to distribute large works of art, such as books, music, and films, to global audiences of millions, and many computer programmers’ opposition to paying for digital goods (resulting in quick breaking of any digital rights management system yet deployed), that we will have a re-emergence of patrons who will support artists for recording albums, writing books, and making films. It is also possible that these patrons will be corporate bodies rather than individual persons, especially in the early days of this cultural trend. Once audiences have become fully accustomed to TV and online ads, such sponsorship will be the best way to reach audiences disenfranchised from traditional media, whose advertising already communicates little about the product and services portrayed, and instead tries to appeal to emotions, which can be seen as deceptive. Additionally, it is clear that many corporations are wealthy enough to pay for high quality works of art and may prefer this opportunity to not be limited to the typical duration of a TV ad. Agencies that put corporations in touch with promising artists stand to make good margins, and will be a desirable employer. Most of the actual trade will be carried out online. As an example of this trend, I would cite the TED conference.

Addendum, same day: I also think it’s likely that this will raise the quality of pop culture, as patrons with economic interests won’t want to be associated with mediocre contributions. More education and genuinely witty entertainment, less l’art pour l’art.

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One thought on “Revival of patronage

  1. Hello! I’ve found your blog very interesting; I’m the editor of an italian publishing company: have a look at my blog and, if you like, leave a comment: we could start a discussion about patronage which, you problaly know, was born in Italy where we call it ‘Mecenatismo’ from the famous Mecenate. Come around, I’m wating for you!
    Luisa

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